Description
Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. Tim Kendall seeks to redress the balance in his detailed and dispassionate examination of her poetry. Taking a roughly chronological structure, he traces the unique nature of Plath’s poetic gift, finding – with reference to Letters Home, The Bell Jar, The Journals and the stories and autobiographical reminiscences – an essential unity in her inspiration, tracing the evolution of recurring themes and at the same time exhibiting her accelerated development from the formal restraint of The Colossus through to the ground-breaking techniques of Ariel. He shows that Plath was a poet constantly remaking herself, experimenting with different styles, forms and subject matter.







I May Be Stupid But I'm Not That Stupid
Poems Written Abroad
Six Poets
Us
Midnight, Dhaka
Collected Poems and Drawings of Stevie Smith
The Black Place
This 10 / Winter 1979-80
Mustard, Custard, Grumble Belly and Gravy
New and Selected Poems. Volume One
The 'White City'
Snaring Heaven
Song of Kieu: A New Lament Nguyen Du
Isn't Forever
The Complete Poems of Anna Akhmatova
Short Days, Long Shadows
New and Selected Poems, Volume Two
The Visitations
Life For Us
The Moon Before Morning