Description
Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. Tim Kendall seeks to redress the balance in his detailed and dispassionate examination of her poetry. Taking a roughly chronological structure, he traces the unique nature of Plath’s poetic gift, finding – with reference to Letters Home, The Bell Jar, The Journals and the stories and autobiographical reminiscences – an essential unity in her inspiration, tracing the evolution of recurring themes and at the same time exhibiting her accelerated development from the formal restraint of The Colossus through to the ground-breaking techniques of Ariel. He shows that Plath was a poet constantly remaking herself, experimenting with different styles, forms and subject matter.







Logue's ABC
Collected Poems and Drawings of Stevie Smith
The Museum of Disappearing Sounds
Spiritlands
The Tamarit Poems
We Are Together
Milk and Honey
Somewhere Else Entirely
Strong in the Rain
Ten Pre-Raphaelite Poems
The Black Place
The Moon Before Morning
New and Selected Poems. Volume One
Words the Turtle Taught Me
The 'White City'
Snaring Heaven
Isn't Forever
Short Days, Long Shadows
The Complete Poems of Anna Akhmatova
Book of Mercy
New and Selected Poems, Volume Two
Clare Beaton's Bedtime Rhymes
The Visitations
This Is Yarrow
Counting Backwards