Description
Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. Tim Kendall seeks to redress the balance in his detailed and dispassionate examination of her poetry. Taking a roughly chronological structure, he traces the unique nature of Plath’s poetic gift, finding – with reference to Letters Home, The Bell Jar, The Journals and the stories and autobiographical reminiscences – an essential unity in her inspiration, tracing the evolution of recurring themes and at the same time exhibiting her accelerated development from the formal restraint of The Colossus through to the ground-breaking techniques of Ariel. He shows that Plath was a poet constantly remaking herself, experimenting with different styles, forms and subject matter.







Comic Poems
Insistence
Going to the Pine
New and Selected Poems. Volume One
The Inner Harbour
Old Possum's Book of Practical Cats
Being Alive
This Is Yarrow
Let Us Compare Mythologies
Gold from the Stone
Dog Poems
The Tamarit Poems
Somewhere Else Entirely
The Claims Office
Bedouin Of The London Evening: Collected Poems
The Map and the Clock: A Laureate's Choice of the Poetry of Britain and Ireland
101 Poems About Childhood
I Don't Like Poetry
Selected Poetry
Poetry in the Making
Rumi's Little Book Of Life: The Garden of the Soul, the Heart, and the Spirit
Soemps