Description
After starting out as a neo-surrealist American poet in the 1970s, Thomas Lux ‘drifted away from surrealism and the arbitrariness of all that. I got more interested in subjects, identifiable subjects other than my own angst or ennui.’ The later Lux writes more directly in response to more familiar but no less strange human experience, creating a body of work that is at once simple and complex, wildly imaginative and totally relevant. He uses humour or satire ‘to help combat the darkness – to make the reader laugh – and then steal that laugh, right out of the throat. Because I think life is like that, tragedy right alongside humour.’ Each of Lux’s multi-faceted poems is self-contained, whether it is musing or ranting, lamenting or lambasting, first person personal or first person universal. ‘Usually, the speaker of my poems is a little agitated,’ says Lux, ‘a little smart-ass, a little angry, satirical, despairing. Or, sometimes he’s goofy, somewhat elegiac, full of praise and gratitude.’







Pretend You Don't Know Me
Bits
Six Vowels and Twenty Three Consonants: An Anthology of Persian Poetry from Ruda
Counting Backwards
Dog Poems
Old Possum's Book of Practical Cats
Macavity's Not There!: A Lift-the-Flap Book (Old Possum's Cats)
Strong in the Rain
The Complete Poems of Anna Akhmatova
About Poems and How Poems Are Not About
Steep Tea
Girls Are Coming Out of the Woods
Being Alive
Selected Poetry
States of Happiness
New and Selected Poems, Volume Two
Floss
Hansel and Gretel
Negative Space