Description
After starting out as a neo-surrealist American poet in the 1970s, Thomas Lux ‘drifted away from surrealism and the arbitrariness of all that. I got more interested in subjects, identifiable subjects other than my own angst or ennui.’ The later Lux writes more directly in response to more familiar but no less strange human experience, creating a body of work that is at once simple and complex, wildly imaginative and totally relevant. He uses humour or satire ‘to help combat the darkness – to make the reader laugh – and then steal that laugh, right out of the throat. Because I think life is like that, tragedy right alongside humour.’ Each of Lux’s multi-faceted poems is self-contained, whether it is musing or ranting, lamenting or lambasting, first person personal or first person universal. ‘Usually, the speaker of my poems is a little agitated,’ says Lux, ‘a little smart-ass, a little angry, satirical, despairing. Or, sometimes he’s goofy, somewhat elegiac, full of praise and gratitude.’





The Complete Poems of Anna Akhmatova
Brood
Milk and Honey
The Last Poems of Jules Laforgue
A Thousand Mornings
John Clare
100 Poems
The Onion House
A Colomber in the House of Poesy
Who Is Mary Sue?
New and Selected Poems. Volume One
The Bees
Swansea Automatic
The Shaking City
Home Front
Lotus Gatherers