Description
In this follow-up to her acclaimed debut The Met Office Advises Caution, Rebecca Watts observes and tests the limits of humanity’s engagement with the non-human. By turns lyrical and narrative, the poems examine familiar subjects – environmental crisis, hawks, hospitals, the sea, barbecues, flowers, Emily Dickinson – only to find their subjects staring, sometimes fighting, back. Nature and nurture, equally red in tooth and claw, power a book-long sparring match between the overthinking poet and the ever-thoughtless universe, between the craft’s isolation and the world’s irrepressible variety. Gloves on and gloves off, the poet’s hands destroy and build, gather and scatter, caress and strike.






Dance Me to the End of Love (Art & Poetry)
Poetry in the Making
Book of Mercy
I Speak For The Devil
Counting Backwards
Let Us Compare Mythologies
The 'White City'
Soemps