Description
In her second collection of poetry, Mimi Khalvati uses the image of Islamic mirror-mosaic – found in palaces, barber shops and kebab houses. The shorter poems refract one another, the three long sequences act a mirror tryptych, their themes of art, nature, domestic life, memory, east and west draw the other poems together. She establishes a voice and questions its integrity. In many ways, it is a book about becoming, as the poet’s children leave home and she must find a changed self and purpose, a new space.
