Description
Amali Gunasekera’s first collection was published under her former name of Amali Rodrigo. This is a book marked by a sense of being on a threshold between worlds. In South and East Asian religious symbolism, the lotus flower embodies the promise of purity and transcendence because it rises clear out of the muddy mire of its origins. It represents both abstract realms and the concrete phenomenal world. The lotus root is also an aphrodisiac. Whether the occasion of these poems are relationships, customs and superstition, war and its aftermath, the fabular or simply a piece of driftwood, they question scale, geographical and emotional distances, and our habitual gaze. At the heart of the collection are her multi-voiced Aftersongs exploring the nature of the male gaze, religious didacticism and artistic inspiration. This epigrammatic sequence is based on the ekphrastic graffiti-poems inscribed between the 8th and 10th centuries at a royal pleasure palace and fortress in Sri Lanka, addressing the frescoes of the beautiful ‘cloud maidens’.







A Wreath of Christmas Carols and Poems
The Last Poems of Jules Laforgue
She Inserts the Key
Poems Written Abroad
A Monkey At the Window
The Princess and the Wizard: Book and CD Pack
Masculine Happiness
Bedouin Of The London Evening: Collected Poems
Isn't Forever
The Claims Office
New and Selected Poems, Volume Two
Poems on the Underground
Luck Is the Hook
This Is Yarrow
Ten Poems by Walter de la Mare
Five American Poets