Description
Caroline Bird at first appears to be a traditional story-teller. But the stories she tells are suspended, charged with metaphor, and built upon foundations strangely familiar: fairy tale, fantasy and the sweet-bitter world of romance. The further one reads in her haunted tales, the more remarkable becomes the variety of forms, metres and rhythms she uses, and the clearer their appropriateness. Things are not ever as they seem, and the poems bring us closer to how the world ‘really’ is for this talented teenager. They work metaphorically through our expectations and prejudices, which she rearranges and reanimates (‘with a step/in your dance, a forecast for lightning’), or those that relate to the world of childhood (‘I came to see if you were okay’) where language itself has never quite got a grip. In the poems of Caroline Bird gender politics are starkly redefined, as are the languages with which generations communicate and fail to agree.








Ten Bedtime Poems (Volume One) (Selected and Introduced by William Boyd)
Pretend You Don't Know Me
Counting Backwards
Swansea Automatic
I Don't Want This Poem to End: Final Poems and Prose
Fauverie
Rumi: The Big Red Book: The Great Masterpiece Celebrating Mystical Poetry
Bedouin Of The London Evening: Collected Poems
Jelly Boots, Smelly Boots
Let Us Compare Mythologies
Said And Done