Description
Larkin’s final collection of poems shows, as does all his best work, his ability to adapt contemporary speech rhythms and everyday vocabulary to subtle metrical patterns and poetic forms. Many of the poems in the collection, which includes some of his best-known pieces (‘The Old Fools’, ‘This Be the Verse’, ‘The Explosion’, and the title poem) show the preoccupation with death and transience that is so typical of the poet.
Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
from ‘High Windows’







A Quarter of an Hour
Collected Poems and Drawings of Stevie Smith
Pretend You Don't Know Me
Hansel and Gretel
Let Us Compare Mythologies
Dog Poems
The Tamarit Poems
States of Happiness
Comic Poems
Selected Poetry
Steep Tea
Spiritlands
Book of Mercy
Love Speaks Its Name: Gay and Lesbian Love Poems (Everyman Pocket Poets)
Milk and Honey
Old Possum's Book of Practical Cats
Counting Backwards
The Lover's Pinch
The Trouble With Poetry and Other Poems
Gold from the Stone
Swansea Automatic
The Handle of the Door