Description
WINNER OF THE COSTA POETRY AWARD
POETRY BOOK SOCIETY RECOMMENDATION
Flèche (the French word for ‘arrow’) is an offensive technique commonly used in fencing, a sport of Mary Jean Chan’s young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable (‘flesh’) and weaponised (‘flèche‘), and evokes the difficulties of reconciling one’s need for safety alongside the desire to shed one’s protective armour in order to fully embrace the world.
Central to the collection is the figure of the poet’s mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan’s childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.







The Lover's Pinch
Soemps
A Colomber in the House of Poesy
The Handle of the Door
Swansea Automatic
Bedouin Of The London Evening: Collected Poems
The Silvering
The 'White City'
Poems
I May Be Stupid But I'm Not That Stupid
Luck Is the Hook
Mustard, Custard, Grumble Belly and Gravy
Steep Tea
Let Us Compare Mythologies
Old Possum's Book of Practical Cats
Pretend You Don't Know Me
Isn't Forever
Old Possum's Book of Practical Cats
The Complete Poems of Anna Akhmatova
The Tamarit Poems
Somewhere Else Entirely
The Moon Before Morning