Description
Each poem in Catalan writer Ernest Farres’ “Edward Hopper” is based on a painting by the American artist. Creating a narrative that follows a subject from small-town origins to big-city life, from youth to age, the story is Hopper’s, yet it also belongs to Farres. The ventriloquist slips, revealing his larger concerns: Farres is using the paintings to tell a story of modernity. Lawrence Venuti’s translations recreate the heterogeneous language of Farres’ poetry in an American vernacular that samples Hopper’s actual speech and writing. Farres’ book becomes in English what it is for Catalan readers: remarkable in ambition, wit, and in its probing interpretations of the visual imagination.






Let Us Compare Mythologies
She Inserts the Key
The Million-Petalled Flower of Being Here
52
Girls Are Coming Out of the Woods
The Poets & Writers Complete Guide to Being a Writer
Imagined Sons
Garden Time
Wood Asleep
Short Days, Long Shadows
I Would Leave Me If I Could
Doctor Who: Now We Are Six Hundred: A Collection of Time Lord Verse