Description
After the appearance of Fleur Adcock’s Poems 1960-2000 she wrote no more poems for several years. This cessation coincided with – but was not entirely caused by – her giving up smoking. When poetry returned to her in 2003 it tended towards a sparer, more concentrated style. This new collection continues to reflect her preoccupations with family matters and with her ambivalent feelings about her native New Zealand. Her initial inspiration was the letters her father wrote home from England to his parents during World War II, which evoked her own memories of that era. The central sequence moves from her first coming to consciousness in New Zealand up to and through the war years in Britain and on to sketches from her teens in puritanical postwar Wellington after her reluctant return – not without her usual sardonic eye for incongruities and absurdities. There are also affectionate poems for her grandchildren and her late mother.







Pretend You Don't Know Me
Being Alive
Slipping the Leash
Dog Poems
Milk and Honey
Book of Mercy
Counting Backwards
How to Enjoy Poetry
Under Clouded Skies & Beauregard: Pens?es sous les nuages & Beauregard (Bloodaxe Contemporary French Poets, 5)
Old Possum's Book of Practical Cats
A Colomber in the House of Poesy
She Inserts the Key
Collected Poems and Drawings of Stevie Smith
New and Selected Poems, Volume Two
Somewhere Else Entirely
Selected Poetry
The Moon Before Morning