Description
Elizabeth Parker’s second collection, Cormorant, explores the creature of the title from all angles. The bird itself however is always untameable and irreducible to human impressions. It is a ‘Devil Bird’ (‘Dart’), ‘omens in a dying beech’ (‘Cormorant’), the bubble of an underwater diver, an enemy of anglers, or the elusive subject watched by humans. Parker plays close attention to the city of Bristol and its inhabitants whether they are human or more-than-human. There is a powerful depth to place here, which is full of carefully observed details about a live and independent natural world, but human history and human losses also resonate.







Roald Dahl's Creative Writing with Charlie and the Chocolate Factory: How to Wri
Spiritlands
The Genre of Silence
I May Be Stupid But I'm Not That Stupid
Santa's Greatest Gift
Bridge 116
Short Days, Long Shadows